And so, just three months after Peter Capaldi met his adoring public for the
first time as Doctor Who at the Deep Breath premiere in Cardiff, we've had the
opportunity to enjoy his entire first season. None of this split-season
nonsense - a full batch of 12 episodes to give him a run-in, and what a season
it has been. Spoilers follow.
Here's my review of the episodes in transmission order:
Deep Breath (8) - An accomplished introduction of Capaldi, and by the
end we were in no doubt (if ever there was any) that we're in safe hands.
The scenes of Clara in the clockwork robot's lair are very tense, as is the
meeting between Clara/The Doctor in the restaurant. Great direction by Ben
Wheatley, and by using THAT cameo and surrounding The Doctor with the Paternoster
Gang this helped the transition. It looked and felt very different to what we
were used to.
Into the Dalek (7) - Fab Dalek spaceship action and some great
battles. The inside of the Dalek itself didn't quite feel right, as evidenced
by various bits of cheap tubing. Sam Anderson makes a great intro as Danny Pink
(we'll be seeing more of him!)
Robot of Sherwood (5) - I love Mark Gatiss as a writer, but this one
just seemed a bit inconsequential. The bickering between The Doctor and Robin soon
grew very tiring, and even if Clara looked great in her flowing robe, this just
didn't work for me. It could have been any Doctor playing this one and the
resolution with the golden arrow just felt lazy.
Listen (9) - Now this is more like it. Moffat doing big, creepy
ideas. Addressing the monster under the bed, some timey-wimey science and a
flashback to The Doctor's childhood, What's not to love?
Time Heist (6) - Ocean's 11 in space, or sci-fi Hustle, the premise
is sound and familiar, and this rates as one of those solid episodes that just
sits there, filling the season's quota. Keeley Hawes is notably OTT, but The
Teller is a fun monster with the ability to turn your brain to soup. The ending
is just a variation on the previous season's Hide and was anyone really
surprised at the identity of the mastermind behind it all?
The Caretaker (6) - Less The Lodger/Closing Time and more like his
Sarah-Jane Adventures, Gareth Roberts' Grange Hill with a robot is actually more
fun that it initially promises thanks to some clever dialogue and a great
performance from Ellis George as rebel school kid Courtney. Danny really comes
into his own here, which helps divert you form the pretty rubbish big bad - the
Skovox Blitzer
Kill the Moon (7) - Taking the show completely into the realm of
fantasy (the Moon is an egg?) this boasts such huge conceits that it wins points
for its cheek. Great monster, nice cool supporting performance from Hermione
Norris, an allegory for abortion and The Doctor showing his ruthlessness. Wow!
Mummy on the Orient Express (8) - No-one expected this to be good, so
what a treat that it not only ticked all the right boxes but also proved to be
a rollicking adventure with a cool high concept idea (the clock ticks down
on-screen as the monster sees you) harking back to old Who. And a great new
writer in the form of Jamie Mathieson.
Flatline (8) - Proving that he's no one-trick pony, Mathieson's other
script this season again confounds initial fears that it's going to be a ho-hum
Earth-set filler. Instead we great some neat ideas about a 3D menace, some
amazing CGI effects, comedy gold around the shrinking TARDIS and a cool hero
moment at the end. Spooky and fun.
In the Forest of the Night (5) - Frank Cottrell Boyce's fairy tale
about a magic forest just didn't work for me. Not enough jeopardy, some very
dodgy animal CGI, a reset switch and a general lack of pace - this was the
season's lop point for me. And what was it with the missing sister appearing
from behind the bush at the end? WTF
Dark Water (9) - Loved this. Great pace, a fantastic reveal, a
labyrinthine plot, some huge shocks and a wonderful performance from Michelle
Gomez as Missy. This is what cliffhangers were invented for - a story that
fully deserves its long running time.
Death in Heaven (8) - Inevitably, this cannot match the power of the
first-part, mainly because the big surprises and twists have been revealed.
Great set-piece on the plane and in the graveyard, though not happy about the
Brigadier Cyberman. Just seemed a bit macabre. The final departure is very well
done, with the double-lies of Clara and the Doctor meaning that they are both
in a bad place. Really not looking forward to the Santa meets Alien Christmas
special.
Average season score –
7.2
I loved Capaldi. He’s just wonderful as The Doctor. He hasn’t
set a foot wrong all year. Jenna Coleman has also been given the chance to
shine as Clara – right from Deep breath and up to her departure. Has this been
at the expense of developing The Doctor? Maybe, but it also meant she could
become more than The Impossible Girl. Kudos also to Sam Anderson as Danny Pink,
the man with demons who paid the ultimate price.
In all, a solid season with
plenty of evidence that even at 51 this programme is still willing and able to
take risks.